I reference the anarchic and collage-like Van Sant film of the early 90s in the title of this article. That’s because AFS is the only arthouse movie theater (and so much more) to represent local, artsy, foreign, indie, and festival entries in town.

History

Founded in 1985 by local filmmaker Richard Linklater, AFS creates life-changing opportunities for filmmakers, catalyzes Austin and Texas as a creative hub, and brings the community together around great film. AFS supports filmmakers towards career leaps, encouraging exceptional artistic projects with grants. It also operates Austin Studios, a 20-acre production facility, to attract and grow the creative media ecosystem. Austin Public, a space for our city’s diverse media makers, provides training for filmmaking and film careers. The AFS Cinema is an ambitiously programmed repertory and first-run arthouse with broad community engagement.

By hosting premieres, local and international industry events, and the Texas Film Awards, AFS shines the national spotlight on Texas filmmakers while connecting Austin and Texas to the broader film community. AFS also offers grants to filmmakers for short and full-length feature films.

The theater in the Linc has two screens, a full bar and café, and an event hall available for rentals. Their free popcorn refill when ordering a large one is worth it. AFS curates a wide selection of films for its signature programs at the cinema, including repertory series, new restorations, documentaries, independent films and premieres. AFS Cinema offers a full schedule of first-run films featuring the best in international and independent films new to theaters. Introductions by film programmers or other special guests, such as directors and producers, often accompany signature film programs. AFS also offers a range of classes, which can be found here https://www.austinfilm.org/classes-events/

Individual membership  ($65 annually) has benefits, such as mixers with other members, two free tickets to films of your choice, discounted rates on entry, and a monthly Monday free event. Supporting this institution makes Austin a little bit “weird,” so keep it up.

I recently saw the four-and-a-half-hour Dutch documentary Occupied City but only stayed for half of it. https://www.imdb.com/title/tt9573150/ All foreign films are subtitled.

For more information on becoming a member go here https://www.austinfilm.org

By Elise Krentzel

Elise Krentzel is a bestselling memoirist, narrative nonfiction author, and narrative IP architect whose work bridges personal story, cultural history, and global perspective. She is the author of Under My Skin – Drama, Trauma & Rock ’n’ Roll and the forthcoming Hydra: The Human Atlas, the first in a place-based series exploring identity, memory, and transformation. A former Tokyo Bureau Chief for Billboard Magazine, Elise has reported internationally on art, music, culture, food, and travel for decades. She now collaborates with high-level professionals and creatives as a ghostwriter and book coach, shaping memoir, leadership, and nonfiction projects built for serious publication — and potential adaptation. After 25 years abroad across five countries, she is based in Austin, Texas. Find her at https://elisekrentzel.com, FB: @OfficiallyElise, Instagram: @elisekrentzel, LI: linkedin.com/in/elisekrentzel.