When one thinks of New Jersey, especially if you’re a native New Yorker, “vacation” does not come to mind. What many people underestimate about the Garden State are its beautiful gardens (yes, the state doesn’t have that name for no reason!).

New Jersey also has a glorious coastline, but I didn’t see it on this trip. I usually spend at least three weeks each summer on the Jersey shore on the quaint and underpopulated Long Beach Island. Instead, I chose to visit Trenton, easily accessible from NYC or Philly by public transport. Arriving at the Seward Johnson Center of the Arts, the underwriter for Grounds for Sculpture, it was a perfect spring day. Breezy and 66 degrees, the wisteria, oak, and pines swayed easily as we rode a golf cart throughout the gardens for a one-hour private tour.

Grounds for Sculpture is a not-for-profit sculpture park, arboretum, and museum, founded by the late Seward Johnson, a sculptor of modern realism whose ginormous figures based on paintings from artists as diverse as Monet, Matisse, and Grant Wood’s American Gothic dot the landscape of the 42-acre park.

GFS is located on the former New Jersey Fairgrounds, built in the Robert Moses style of architecture in the tri-state areas’ public buildings and spaces from beaches to zoos and parks. Johnson envisioned a place to exhibit sculpture in nature; GFS features nearly 300 contemporary sculptures by renowned and up-and-coming artists. I liked SinJin by Zero Higashida.

The wondrous gardens include the Bamboo Observation Tower, the Water Garden, Red Maple Allée, Wisteria Pergola, and Lotus Pond Gazebo. It now provides a fertile home for thousands of trees, flowering shrubs, and diverse plants. Jersey’s wildlife appeared throughout our tour, including bumble bees, mallards, peacocks, cardinals, rabbits, crows, and other birds.

Open all year round, and there are programs for families and something for everyone. Late nights in summer and weekends are open until 9 pm. They have wellness programs for seniors, meditation classes, art-making, and more.

 

Visit groundsforsculpture.org

 

By Elise Krentzel

Elise Krentzel is an author, bestselling memoirist, narrative nonfiction writer, ghostwriter, and narrative IP architect whose work explores the intersection of place, identity, culture, history, and lived experience. She is the author of Rogue Entrepreneur: Building a Life the World Didn’t Have a Name For and Under My Skin: Drama, Trauma & Rock ’n’ Roll, a bestselling memoir. Her forthcoming Hydra: The Human Atlas launches a new body of work examining how place shapes who we are, what we remember, and how we transform. A former Tokyo Bureau Chief for Billboard Magazine, Krentzel spent more than two decades living and working internationally, including five years in Japan, and has reported on music, art, culture, food, travel, and the people and places that shape them. Today, she works selectively with authors, leaders, and other high-level professionals on books and narrative projects, bringing editorial rigor, lived global perspective, and a deep understanding of story architecture to work intended for serious publication and potential adaptation across film, television, and other media. She is also the founder of the Human Atlas Institute, an emerging cultural initiative built around conversation across difference and the exploration of geography, identity, culture, history, and beauty as forces that shape human experience. Krentzel's home base is in Austin, Texas, with one foot in France, and continues to write, travel, research, and develop new books and cultural projects. Find her at https://elisekrentzel.com, LinkedIn at www.linkedin.com/in/elisekrentzel. Facebook www.facebook.com/OfficiallyElise Instagram www.instagram.com/elisekrentzel.