I reference the anarchic and collage-like Van Sant film of the early 90s in the title of this article. That’s because AFS is the only arthouse movie theater (and so much more) to represent local, artsy, foreign, indie, and festival entries in town.

History

Founded in 1985 by local filmmaker Richard Linklater, AFS creates life-changing opportunities for filmmakers, catalyzes Austin and Texas as a creative hub, and brings the community together around great film. AFS supports filmmakers towards career leaps, encouraging exceptional artistic projects with grants. It also operates Austin Studios, a 20-acre production facility, to attract and grow the creative media ecosystem. Austin Public, a space for our city’s diverse media makers, provides training for filmmaking and film careers. The AFS Cinema is an ambitiously programmed repertory and first-run arthouse with broad community engagement.

By hosting premieres, local and international industry events, and the Texas Film Awards, AFS shines the national spotlight on Texas filmmakers while connecting Austin and Texas to the broader film community. AFS also offers grants to filmmakers for short and full-length feature films.

The theater in the Linc has two screens, a full bar and café, and an event hall available for rentals. Their free popcorn refill when ordering a large one is worth it. AFS curates a wide selection of films for its signature programs at the cinema, including repertory series, new restorations, documentaries, independent films and premieres. AFS Cinema offers a full schedule of first-run films featuring the best in international and independent films new to theaters. Introductions by film programmers or other special guests, such as directors and producers, often accompany signature film programs. AFS also offers a range of classes, which can be found here https://www.austinfilm.org/classes-events/

Individual membership  ($65 annually) has benefits, such as mixers with other members, two free tickets to films of your choice, discounted rates on entry, and a monthly Monday free event. Supporting this institution makes Austin a little bit “weird,” so keep it up.

I recently saw the four-and-a-half-hour Dutch documentary Occupied City but only stayed for half of it. https://www.imdb.com/title/tt9573150/ All foreign films are subtitled.

For more information on becoming a member go here https://www.austinfilm.org

By Elise Krentzel

Elise Krentzel is an author, bestselling memoirist, narrative nonfiction writer, ghostwriter, and narrative IP architect whose work explores the intersection of place, identity, culture, history, and lived experience. She is the author of Rogue Entrepreneur: Building a Life the World Didn’t Have a Name For and Under My Skin: Drama, Trauma & Rock ’n’ Roll, a bestselling memoir. Her forthcoming Hydra: The Human Atlas launches a new body of work examining how place shapes who we are, what we remember, and how we transform. A former Tokyo Bureau Chief for Billboard Magazine, Krentzel spent more than two decades living and working internationally, including five years in Japan, and has reported on music, art, culture, food, travel, and the people and places that shape them. Today, she works selectively with authors, leaders, and other high-level professionals on books and narrative projects, bringing editorial rigor, lived global perspective, and a deep understanding of story architecture to work intended for serious publication and potential adaptation across film, television, and other media. She is also the founder of the Human Atlas Institute, an emerging cultural initiative built around conversation across difference and the exploration of geography, identity, culture, history, and beauty as forces that shape human experience. Krentzel's home base is in Austin, Texas, with one foot in France, and continues to write, travel, research, and develop new books and cultural projects. Find her at https://elisekrentzel.com, LinkedIn at www.linkedin.com/in/elisekrentzel. Facebook www.facebook.com/OfficiallyElise Instagram www.instagram.com/elisekrentzel.