A Tapestry of Letters
The appeal and meaning of a tapestry is best appreciated by distancing oneself from it. Especially for large tapestries, one has to stand back 15-20 feet to take it all…
Dazzled by Poetry
A philosopher with a poetic style? That apparently was what the world needed in the early years of the 20th century, as Henri Bergson achieved a level of fame and…
The Conqueror’s Gift
It is typical for an author to summarise the chapters of a book in the Introduction. Sort of like a film teaser, where you get a glimpse of the best…
The Book of Genesis Lay in Ruins
When I first saw the title of this book, Impossible Monsters, I thought it was about members of a certain state legislature whose prime purpose for existence appears to be…
SHOW WINDOW OF THE KINGDOM: The Islands of Orkney
Peter Marshall won the 2018 Wolfson history prize for Heretics and Believers: A History of the English Reformation. He is also Professor of History at the University of Warwick. Thus,…
Maxims for a Fulfilling Life
A combination of adages, maxims, aphorisms and plain old common sense, this book embodies a host of life-long truisms. And while value of the quote depends on each individual person…
Tangled Paths: A Life of Aby Warburg
Review by Professor Marion Dolan Tangled Paths: A Life of Aby Warburg surveys the difficult and troubled story of Aby Warburg (1866-1929), a major figure in the area of intellectual…
THE EYES OF TEXAS: The Shocking truth
“I knew that the song was strangely creepy,” said University of Texas Austin Professor Alberto Martinez in his book talk at Livra Books this week. He was referring to the…
SIGNS OF VIRILE MASCULINITY: Peacocks and the Pope’s Beard
This fascinating historical study of representations of masculinity is edited by Konrad Eisenbichler, a professor in the department of Italian Studies at the University of Toronto. He has received numerous…
THE PRISM OF BEAUTY: Ancient Greeks and the Gods
Image: A Classical sculpture in Florence “It is beautiful; it has no meaning,” the French Nobel laureate André Gide remarked on Aristide Malliol’s sculpture The Mediterranean when it was shown…