It is disheartening to learn that Spectrum Theatre Company, one of Austin’s most significant and vibrant theatrical organizations, has remained a hidden gem for over twenty years. This could be because the company produces only one or two shows annually. I find it puzzling how they manage to keep their non-profit running with such limited activity, which may also explain why I might not be familiar with them. This situation is unfortunate, as Austin would surely benefit from stronger African American representation in the arts, especially given its overall population decline.
For one night at The Sterling Stage, Spectrum hosted a musical and film celebration of gospel music to commemorate Black History Month, paying tribute to the hits of big names like Walter and Edwin Hawkins, CeCe Winans, Kirk Franklin, Mary Mary, and The Clark Sisters. As I was unfamiliar with the guest singers, I waited for stage introductions so I could write them down in my reporter’s notebook. Alas, the individual singers (members of Spectrum, I presume) and the musicians were not introduced.
As someone unfamiliar with the songs that made gospel music famous, I was thrilled to recognize Edwin Hawkins’ “Oh Happy Day,” a song I remember from my childhood when it was a top ten Billboard hit. Behind the lively performers were two screens: one in the lounge area and the other in the bar area where food was served. These screens displayed video clips of the mentioned singers, like the Clark Sisters, performing in church or during staged street events. Once again, the MC failed to inform the audience that this performance was not entirely live, but rather mixed with video footage for what felt like half the show. Had I known in advance that this show wouldn’t be a full theatrical performance, I’m not sure I would have attended since my expectation was set on “live musical theater.”
One of the gospel songs reminded me of Outkast’s “Mrs. Johnson.” I loved the catchy beat. While the other songs were new to me, they were undeniably uplifting and truly embodied the spirit of gospel music. This genre is filled with deep, positive emotions, born out of adversity. Gospel music resonates not only with the religious but also with anyone in need of a reminder that a hopeful perspective can turn wretchedness into a heartfelt life experience. Two pre-teens performed separately: a young girl and a young boy. Their voices were powerful, and their potential as singers, should they choose that path, was unmistakable. One of the performing women on stage, white-haired with a crewcut, held the group together with her strong rhythmic movements, resonant voice, and perfect timing. She was born to sing.
A Google search for Spectrum Theatre Company led to several other discoveries. The first was The Black Spectrum Theater Company in Queens, New York. However, They have a Facebook page, which isn’t very helpful for those who don’t use Facebook. Upon digging I found a website (listed below) but I could not gain access as it was not a secure connection. 🙁
I genuinely hope Spectrum Theatre can further establish itself and share its worth across Austin and beyond. As the city’s sole African American theatre company, it’s essential that we engage with them more frequently through hearing, seeing, and dancing together.
To reach Spectrum:
https://spectrumtheatreaustin.org/ (Note: you may not be able to access this site, as I experienced.)
Email: spectrumtheatrecompanyatx@gmail.com